Portland may be known for its high tech atmosphere and hipster persona but The Northwest Woodworking Studio is working to make her cutting edge as well, 19th century style. The Studio has planted itself firmly in the tradition of the 19th century British Arts and Crafts movement teaching woodworking skills to promote craftsmanship. The approach is simple: build solid, honest furniture with one's hands and heart that will last a lifetime.

How it all started:

One spring day in 1997, Gary Rogowski, the founder and director of the Studio opened his furniture shop doors to a very small group of students eager to learn from a Master woodworker. Gary had been building furniture for private and public clients for 23 years then. His teaching and writing for Fine Woodworking Magazine had given him national exposure. He felt that a large segment of the woodworking market was being ignored by art schools and craft programs and so launched the Studio to give traditional woodworkers a place to learn. Ten years later, close to 500 students per year make their way through the doors of the new Studio on SE 8th Avenue in Portland, in the heart of the Central Eastside Design District.

The approach:

From novice classes to the three different Mastery Programs to the week long Summer workshops, students come from around the country and the world to take a place at a bench for our hands-on classes. At the start of each class, as students introduce themselves they often state the need to work with their hands, to see the results of their efforts after a day spent staring at a computer screen. Many search for a connection to the past by learning to use the woodworking tools that may have been passed down to them. This tradition based approach of the Studio gets students working right away with tools and wood, making that very real connection between hands and minds.

Where we're headed:

After the move to a larger space two years ago, Studio programming expanded. Student interest has been pushing enrollment to new heights creating waiting lists as classes fill quickly. “ We keep class sizes small so that students get the best possible experience with our teachers. ” according to Rogowski. “Our goal isn’t to be bigger but to be the very best woodworking school in the country.” Bringing in nationally known experts in the summer like chair maker Brian Boggs and Master carver Will Neptune allows local students and those traveling in, to experience and work with some of the very best furniture makers in the country while also enjoying all that Portland has to offer.

Testimonials:

Portlander Heidi McNamee says she feels lucky to be in the same town as the Studio. “I just completed my five-day joinery workshop with Gary Rogowski and have learned a ton. I loved the work...being able to focus on one thing for hours on end was a real joy. ”

Melissa Madenski of Oregon says “ ....just want you to know how much I enjoyed the classes....that it's in my "future" plans and how it's made me look at a lot of things differently....plus I'm using my coat rack! ”

“ I loved being at the Studio and learning from Gary. He has a gift for teaching.” says Tonda Burgin of Oregon.

“ I had a wonderful time at NWS. Everyone was kind enough to let a newbie like me feel comfortable in a very demanding curriculum. My deepest gratitude to Gary and Peter, who stayed late with me to let me catch up a bit, so I'm not too much behind. Brian's class has been very intense and fast-paced, but I've learned so much over the week. I'm pretty sure I can make another chair. ” says Chris Chen of California.

“ I took my unwrapped chair directly to curbside check-in at American Airlines and no problem; it arrived in North Carolina unharmed. ” says Dennis Ross of North Carolina, “ It was a great vacation and wonderful meeting everyone! I'll be back.”