Distance Program

The Distance Mastery Program in Woodworking
with Gary Rogowski

Lectures and one-on-one study
2 year program, Spring and Fall entry only

Prerequisite: One Masterworks Level Class with Gary Rogowski

(To apply for Fall 2011 Entry, please call the studio and  sign up for a Masterworks: Joinery Concentration in June today!)

DMP4This intensive study program in fine furniture making is designed for self-directed and motivated students who reside outside the Portland area. The goal is to teach people how to design and build furniture of the highest quality.

The Distance Mastery Program runs for a period of two years. Entry is during the Spring and Fall terms only. Each year starts with a four day seminar in late summer / early Fall for Fall term and early spring for Spring term. Approximately every 3 months after this, the small group meets for a three or four day weekend seminar. There is also on-line or telephone time with Gary Rogowski scheduled throughout the term during which projects, designs, techniques, and general concerns are discussed.

DMP3Students will design and build a total of 10 pieces over the two year period. Students will develop a signature style of their own while building pieces with the goal of producing gallery quality work after two years. Projects have been chosen to teach certain methods, techniques, and approaches while at the same time allowing each student room to explore his or her own style.

At the close of this two year period, the Distance Mastery Program finishes with a one day critique and graduation.

Application Deadline
Fall 2011: August 15, 2011

Contact The Northwest Woodworking Studio for a Distance Mastery Program prospectus.


Comments from recent Distance Mastery students

 

“I have learned so much and grown quite a bit in my time in the Distance Mastery Program. I have really enjoyed learning from you. I know I wouldn’t be anywhere close to my dream of becoming a competent furniture maker had I not become a student of yours. Thanks for sharing your knowledge. In addition, I feel that I’ve made a good friend, one who I admire and respect. This has meant a lot to me during the trials of this past year. Thanks for that as well.” – JH, Montana

DMP2 “Our visits to Portland and the Studio are about building confidence; that although my execution will always be improving, I feel with each session closer to becoming a craftsman and gain new perspective in understanding this craft. It’s about getting new ideas and finding my unique voice; it may be trivial but it was a boost when you pondered aloud what style my table was. When I replied that I hoped it was the beginning of what could be MY style, your reply was “Exactly”. – DH, Portland, OR

I think that the Portland sessions are also about getting to know you and about the relationship between teacher and student. You have a good ability to ascertain what each of us wants to walk away with.The students have a responsibility to learn, more so in the distance class in my opinion, and I realize that there is a great deal of responsibility on our part to gain the fullest benefit. The other thing I gain is the responsibility of the deadline. Not only do I not want to let you or my classmates down, but I don’t want to let myself down. It’s about becoming a more efficient woodworker which means for me thinking things through and planning a process rather than jumping into it. Left to my own devices, I wouldn’t have spent half the time I have learning this and tackling the projects.” – KH, California


Watch our spot on Oregon Art Beat for a great overview of the benefits of our Mastery Programs!
 

 


 

DMP1As a prerequisite,  prospective students must  take a week long Masterworks Level class before registering for the Distance or Local Mastery Program. These concentrations are a perfect introduction to the Studio, working with program director Gary Rogowski, the travel issues you may face, and the effort required to be a Mastery student.

Cobblers

This letter was sent to me by an old friend.

Hi, Gary!

May I give you a story, as promised?

The story is told that if you were a young person in medieval France embarking on a spiritual quest, if you were fortunate you might meet up with someone older, perhaps a [...] Continue Reading…

Borrowing My Chisel

This question comes from a former student.

If a someone asks to borrow a prized chisel how would you politely decline the request? Paul F

My reply: There are several options.

Go Shakespearean:
What, you egg! Shag haired villain of treachery! [and then with a smile] Begone or I shall have to smite [...] Continue Reading…

The Work Bench

Stick with this fact: your bench is the center of the universe. When a client calls and asks, why won’t the door shut after we moved the piece? Or why do we need the shim under that cabinet leg? Or how come the drawer sticks? Your reply is always [...] Continue Reading…

Precision

I was walking the beagle this morning and I heard someone practicing violin in their house as we walked by. The player wasn’t new at it, but neither was he all that proficient. He was learning and repeating his scales. I’m no musician so I cannot say what kind [...] Continue Reading…

Investments

Investing is an act of pure faith these days. In these strange and difficult days, investing in anything takes nerves of steel and hardy determination. But I have a sure thing for you. A can’t miss proposition. There is a guaranteed return on this investment. [Now I’m sure you’ve [...] Continue Reading…

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